Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. SE Electronics Voodoo VR1 & VR2 Ribbon Mics ... **Disclaimer Alert [I work for Fingerprint Audio that distributes sE Electronic's in North, Central, ... Gearslutz.com LTD - UK Company Number 7597610 (England & Wales). Sources I've used them on so far are acoustic guitar, male vocals, electric guitar room mic, glockenspiel. I recently bought 2 sE Electronics R1 microphones. On acoustic guitar they sounded very warm, I would probably put a LDC or SDC somewhere nearer the strings to pick up the brightness if I were to try again. successors, the VR1, VR2 and RNR, but it still can be found here and there. Will be investing in more SE mics in the future.” ”The VR1 has worked great, so much so that I decided to pick up a second to be able to use them for stereo drum overheads as well.” ”My favorite use is on acoustic guitar body. In summary, the SE Electronics R1 is a useful addition to any respectable microphone collection. And recently I tried using my Beyerdynamic M160 and liked the effect. These microphones are well above your average relabeled chinese mass- production ribbon microphones. Impedance: 300 Ohms. Just what I need. The are two versions of the Voodoo ribbons — the passive VR1 and the active VR2 — and both models claim a 20Hz‑18kHz frequency response. For electric guitar room micing they also work very well, smooth top end, balanced low end, warm mid range. A quality made and sounding mic. It gives you the middle range frequencies you love but is quick enough to catch those fancy in-between sonics. Design and build quality can hold their own against the likes of Royer and AEA. Now its going to take me a little time to know all of the best uses and placements of this mic, and sometimes a 57 is exactly what you want, but on clean guitars it is a clear winner - and a tiny fraction of what a Royer would cost. It is best wherever the classic advantages of a ribbon microphone are requested, which can be on spoken word and vocals in general, electric guitar cabinets, as drum overheads, for solo acoustic instruments... But thankfully to say I did accidentally have one fall on to some carpet and it is fine so they are quite sturdy at least. It does not tolerate very high SPL, is not "active" which means its output is fairly low and it needs a preamp which can compensate for that, has no proximity effect compensation or other frills. Power requirement: N/A (phantom-protected) In this application giving off a full sound that is representative of the kit in the room. sE Electronics Dynamite - Active Inline Preamp by: Sound-Guy (Dennis Wilkins) “Although I haven’t been recording in live venues for years, the idea of a phantom powered preamp for dynamic and ribbon mics in my studio has been tempting. Generating Element: Hand-tensioned 2.5µm aluminum ribbon. sure you could probably get a more 'authentic' sound from a more expensive alternative, but for sheer value for money I'd recommend the R1. SE makes mics in that spirit: reasonably priced mics with pro-level engineering. I found on some sources the bass could be quite boomy, but again, nothing eq can't sort. You will be treated with a sound that has slightly more top end than something like a R84 or a R121, but it doesn't overshoot the mark. For vocals they also sound very warm, slightly less midrange detail compared to a condenser, but very good sounding within a mix where the vocal is only but part of the whole sound and not the key instrument, if detail is needed though I would use an LDC. They are passive ribbons so need a good amount of clean gain to be used for quiter sources, bare this in mind if you only have soundcard pres or noisy tube pres. They worked great as a room pair when recording drums. Phase aligned with an sm57 sounds pretty good also btw close Micd 3-4 inches with the vr1 on the dust cap and sm57 at a 90 degree angel from the center . In this video, “Nickybagz” demonstrates a 12/8 shuffle with some sweet fills. Please advise. Dan, Took a punt on a pair of R1 ribbons mics a while back when my Royer went the way of the Dodo. The microphone exhibits a roll off above 9kHz, which gives off a natural sound, rather than the hyped timbre found in similar priced condenser microphones. Nohype Audio LRM-1 v Golden Age Project R1 Mk2. I will be using them for this task again and probably closer up on the grill as well. On guitar cabs it's pretty dark but has a nice texture to it and smooths out the hi's which can be use full if the guitars a bit piercing it the first place. I've had the average chinese ribbon ic there a waste of time and money. Nick Baglio is a born and raised New Yorker, whose slick style appeals to musicians and producers worldwide. I've used them on vocals and they give me something very different. With the RNR1, sE Electronics challenged the ribbon mic norm and extended the intrinsically limited frequency range with some clever design and a Rupert Neve-designed active preamp circuit. Code by Port Forward. On louder sources like drums and amps you shouldn’t have any issue with gain or picking up electrical noise. The R1 is a strong contender for keeping in front of your amp: it is like a SM57 with a little more detail. Thanks, The R1 is somewhat unremarkable in that it sounds like a great ribbon mic: no saggy ribbon, no weird rumbly low end; just big ribbon awesomeness. I have always been a 57-on-the-grill kinda man for guitar tones although occasionally I add a LDC a few feet back for an alternative or a blend. And for you can get them for now there isn't really any reason you should be buying any other ribbon for under £150. For most of the recordings I had them set up in a blumlein pair arrangement (one upside down on top of the other, both of them rotated 45 degrees off center from the source, stereo panned). The R1 absolutely blows the M160 away - it is clearer, required less gain, and it has significantly less self noise. I was a bit confused at first how to fit them into the shockmount because they seemed to just rest in the holder and wiggle about, however, if you unscrew the grey cover around the XLR input all becomes clear. What it does have is a very high sound & build quality for a decent price, These have now been discontinued by sE which means that you can pick one up for a bargain either as discontinued stock or on eBay - Mine cost £110 each. (the main vocalist had been recorded on the Gemini, so I wanted something that would not overcompete for mix space). The sE Electronics Voodoo VR1 puts a quality ribbon mic in your hands for a fantastically affordable price. SE Electronics Voodoo VR1 & VR2 Ribbon Mics ... Gearslutz.com LTD - UK Company Number 7597610 (England & Wales). The microphone is especially useful on any source which needs taming, either to mellow sources tonally or to decrease density. When you buy products through links across our site, we may earn an affiliate commission. @iaminformatique. It its true that it isn't the most versatile microphone out there, as it is a more classic approach to a ribbon microphone than the Royer or the newer, more "modern" developments from sE themselves. The R1 has a body to the sound typical of other ribbons but with just a little bit more up in the top frequencies. Directional Pattern: Figure-8. The SE Electronics R1 is a ribbon microphone and like all ribbon microphones it features a figure of eight response. It seems like there is a second wave of Chinese-made mic makers who are using the knowledge of how the first wave of cheap mics were made and combined that with high-tech, detailed-oriented microphone design. Although not the most versatile microphone, the R1 gives it's own distinct dark character to sources. Hey there! They were obviously far cheaper but I have achieved great results on a variety of sources. They used to retail for around £400-£600, so getting them for £150 isn't bad I don't think! SE ELECTRONICS Voodoo VR1 Das sE Voodoo VR1 ist ein passives Bändchenmikrofon mit einem außergewöhnlich umfassenden Frequenzgang, der dank der neuartigen mechanischen Bauweise von 20Hz bis über 18kHz reicht - und das ist weit mehr als die … The microphone exhibits a roll off above 9kHz, which gives off a natural sound, rather than the hyped timbre found in similar priced condenser microphones. Microphones, Reflexion Filters™, and accessories from sE Electronics. Registered Office - Suite 19, Maple Court, Grove Park, Maidenhead, Berkshire SL6 3LW. And when coupled with a good preamp the tonality shines through, allowing sources to sit back in the mix with a warm and mellow timbre. I've utilised them as a pair of room mics for acoustic guitar as well and they gave me exactly what I was looking for.