Following on from the first tip, experiment with various mixing effects placed … This will beef up the snare by adding harmonics and it’s an excellent way to energize it and make it sound fatter / fuller.A lot of people tend to overdo this, just make sure that the saturation doesn’t sound too obvious that it ends up creating a crackling sound, unless that's what you’re going for.The goal here is to add some personality, warmth and character while helping the snare to cut through nicely. Make sure that your snare is playing in the root key of the song. I would recommend using a gate plugin that has a look-ahead feature to make sure that you get a clean gate effect without messing up the transients / attack.Gates can be very dangerous, they’ll not only kill transients but they can mess up a good performance. If not, then you will run the risk of getting a thin sounding snare.Another area that you would want to remove, if the top snare is not already sounding thin, you need to remove the mud and boxy frequencies.For the top snare this is usually around the 500Hz to 800Hz frequency range.Finally, you’ll need to add some air and give the snare some shine by creating a high shelf boost around the 8kHz range.If the snare is lacking some attack then you can emphasize the attack by boosting around 2kHz to around 4.5kHz. It’s one of those things you need to … To get this right, try hitting the drum skin next to each lug and listening to the pitch. Just remember to tune the snare back to one that spreads an even tension across the skin. Shaping the tone of the drum is very important to get it to sit well in the mix.For live recordings, I would recommend you to tune the snare before hitting the record button and would never recommend tuning it in the mixing stage.Tuning live drums during mixing can mess up the timbre and character. You don’t want an attack that is too fast because that will start introducing unwanted artifacts and clipping.So, make the attack fast without choking the snare.The release needs to be slow enough to bring up the decay a bit or too much, not too much that it’s too obvious and ends up overlapping to the next snare hit. Enter your email below to Join my journey to getting Pro audio mixes at home. In some situations you'll want to emphasize the ringing of the drum sound.We’ll achieve that by bringing up the body of the snare. Method 2: All-Lugs-Low Fat Snare Tuning Method. These techniques apply to every genre with drums ranging from multi tracked Ludwig drums to good old Linn Drum machines. Sometimes you might find that the eq settings are not the problem but other sounds are overpowering the snare drum.In that case, make space for the snare by cutting some frequencies on other sounds that are clashing with the snare. Mixing Snare Complete Guide: How to get a perfect sounding snare on every mix... To help add a sense of space and depth to a snare you’ll need to use a reverb effect. Of course, some snare drums won’t have their lugs positioned in the exact same way we’ve described. If you’re still confused about what phase is then to simply explain it I would say it’s the relationship between multiple waveforms that are playing at the same time.If your sounds are not in-phase they’ll cancel each other.To fix that you simply hit the polarity reversal button. Even if your videos get no views. Think about Elvin Jones, Steve Jordan, Ginger Baker or John Bonham – each drummer has their own distinctive sound they’ve used to make some amazing drum songs. Whereas others are metal strips that lie across the drum skin. As well as this, this tuning style can help your kit sound more in tune. Here are five tips for mixing modern snare drums to get them sounding punchy, but not distracting. This helps a lot if you want to add different accents to part of a song, or if you use a more intricate snare technique and need a touch of extra rebound. I been posting like hell and still don't crack 200 views on most videos, but i just hit my 250th video/beat posted and I'm finally starting to get random sales which i think is just due to having a large number of beats actually up on youtube that people sometimes stumble into. If you only have 1 snare without top and bottom snare. Updated and improved interface to complete the transition to the modern interface, making all menus uniform. If you’re feeling adventurous, you can try adjusting the tension of the snare’s lugs between the 3 and 9 o’clock position or the 5 and 7 o’clock position to experiment with your sound. Method 1: Half-Lugs-Low Fat Snare Tuning Method. A product known as a ‘snareweight’ is a really cool little device, designed to control the snare’s overtones and beef up your sound. The reason for this is you can place it over your current head to fill out your tone. Remember, the heavier the wallet, the fuller the tone will be, so perhaps take a little out of your money jar to add some extra weight. All you need to do is place a sheet of paper across your drum skin. This is another really fast and easy way to fatten your snare tone. This comes as a small gel pad, which you can place next to each lug in order to reduce the level of ringing and decay. This works because the slack area of the drum skin produces less vibration after being hit, in comparison to a tighter head, so you get fewer overtones being produced. However, if you’ve got strong, thick die-cast hoops and a tough drum head you’ll be fine playing a set with this tuning. When it comes to compression, you have to decide whether you want something that is punchy or if you want a smoother sound.1. This usually happens because of the distance between close microphones and overhead mics.To fix this, then you have to manually move your distant mics to line them up with your close mics.There are plugins such as InPhase by Waves Audio that can make this process a bit easier.Phase issues don’t only apply to live recordings, even if you’re layering different types of snare sounds you always have to check the polarity and that the transients are aligned.If your sounds are cancelling each other then no matter how much processing you add, the snare will never sound huge, punchy or cut through.I would also recommend that you check phase issues while listening to everything playing to hear how it affects the entire mix.