Make all shifts smooth and effortless. ... An even more contemporary scale and arpeggio study book with a jazz/rock influence is Mark Wood's Electrify Your Strings. 3 OCTAVE SCALES – 30 minutes a day Intonation: using drone; with all possible doublestops; checking each note against open strings; ultimate listening; stop-and-go I. Enjoy playing along with 2 backing tracks which you can control with the track display. Use Galamian turns at the beginning and ending. Try to stretch all your fingers out in advance of the pattern. Use Galamian, starting with top fingerings. Continue in this way until you have worked through all scales. Keep intonation consistent. This may be studied with an acoustic instrument and is well worth examining. Play as many doublestops as you can so that your fingers learn the patterns. 7. Play 3ds, 6ths, 8vs, and 10ths in 2 octaves scales, straight up and straight down. in different parts of bow, with different rhythms, in order to make them easier in your pieces. The interval patterns are simpler. LEVEL D. Play through all arpeggios daily. Play the 3 Octave Arpeggios (Flesch sequence). GOALS: 8 notes per bow. (The following sections have suggested practice times based on a daily working schedule of four to six hours. A. 3-Octave Major and minor Arpeggios: It seems to be more beneficial to teach these first. Major Scales - 1 Octave Here are the notes for all the one-octave major scales. Make sure that each and every shift is accurate, smooth, easy and inaudible. 3. Practice slowly at first; as the week continues, add the acceleration exercise printed at the beginning of the Galamian 3-octave scales. After 12 weeks you will know all 36 scales. Use Galamian turns at the beginning and ending. Evenness of tone: drawing bow with constant speed, especially at slow tempos; constant sound vs. changing pressure; smooth bow changes; no portatos; sounding point and bow angle Begin to incorporate spiccato and mixed bowings. << /Length 5 0 R /Filter /FlateDecode >> Pay particular attention to the arpeggios for the dominant seventh and fully diminished seventh chords. Pay particular attention to the smoothness of the motion you use getting from low to high positions; release going down and up. 8. See suggestions above. If you want to improve your violin technique then this how to video is the place to start. Start with G and go up chromatically. c�>fƑ6���T㣮��X!G���j���m��y��"wu�ٚ|��M]B#6�(:4��b�k���=gA<=��~5�����ڮ�@,t[�g��-G�@d�l^�F$�e0�h�h4�)�1#���t$�,�ʯo��i�fQj�Fa�4�0��2�(��6F�H�,!�r}"�YBÚ>�`c���j���0��q|6U]����[email protected]��F�mm����E5�ؖ��1̂4ΟaM9�{)��j4>ʪ�����ݣQ�S3���f|N ;f��6��H��[email protected]�j�@$�&YZX�6g6�xj kZ���{���FY?��k�&ژy6�����* ��6��e#��������'@g+c,X��O�PC"��5�@Hh) ksĺ{V jЌ�I �]�o�'b��\�� �1�֔Y a��4�-��תb�i;�씳��n S�m�� Play the 3 Octave Scales (Major, Melodic Minor and Harmonic Minor) without stopping. Continue in this way until you have worked through and memorized all arpeggios. 4. Memorize and then try to run both Galamian fingerings. Does your left hand look uniform throughout, or does it collapse or change shape at certain points? Keep the shifts as light as possible, with no tension in the first finger or thumb. Play the 3 Octave Arpeggios (Flesch sequence). Use Flesch fingerings. Remember to pick up and drop the fingers with speed and clarity. Df�|��Y b��}�[email protected]�H�NZ�e{3�o����}�"��X b����D� ���q���af#�2u/��d�7�u`h IV. Keep your left arm very relaxed so that you will not experience tension in these very high positions. This will get easier as you acquire more scales. B. Watch your left-hand alignment in the mirror. After you click "Subscribe," check your email and confirm that you want to "Follow The Ideal Violinist." LEVEL C. Learn the Galamian bottom fingerings. LEVEL A. This program should take you twelve weeks. 4 0 obj Speed: quarter note = 120, 140, and 160. This exercise is designed to help you increase your comfort and agility in all positions, develop confidence and accuracy in all positions, and improve coordination. Use our free video guide, fingering guide, visual grid guide, and sheet music to master the G major scale! Practice slowly at first. %��������� ... An even more contemporary scale and arpeggio study book with a jazz/rock influence is Mark Wood's Electrify Your Strings. Speed: quarter note = 120, 140, and 160. Notice the finger patterns. 4-Octave Scales – to be added when 3-octave scales are fluent – 10 minutes a day, rotating block. G Major Scale - 1 octave G Scales & Arpeggios www.violinschool.org G Major Scale - 2 octaves G Major Scale - 3 octaves 1 1 4 4 4 E ---4 Use the key signature of one of today’s 3-octave scales. This video teaches you to play 3 octave G major scale. Left hand: bouncing fingers; minimum thumb pressure; high lifts, gentle but quick drops for fast articulation; lighter to go faster; singing fingers for lyric expression; form and position; relaxed knuckles; movable elbow; vibrato through note changes; hand patterns; spacing in air; rapid blocking; balancing to 4th finger for fast balance, finger by finger for slow balance II. February 13, 2018 ViolinSchool ... How to play a G major scale on the violin. Start with G and go up chromatically. -�կ��t���j�–��ޅ���zM������`� ���&%�r}"Yˆ5}�A 2. x��]���q����X���+���e� 0��&�E�ęq���xf�_�o��T%��NK��ٛ�Y,�,V�U���}��Q=�W������y���׿�K����U���~͟�����G�LϮ�T=�ah��Q����G�=�v��?ҫ{���TM����}��1=�v_cJ#��r_wϮ6$��S.>���ӳ�!ešr Memorize each scale fingering as you go. 6. A. Without the Galamian turn, play through 3- and 4-octave scales using the rhythmic pattern of quarter, quarter, quarter, sextuplet. If you don’t have that much time, reduce the times accordingly.). Go up through at least 8th position. One bow up, one bow down. V. Combination Slow-Fast Scales – 10 minutes a day, rotating block. 5. Posture: checking in mirror; shoulders down and back; shoulder blades sliding down back; violin supported easily; alternating thumb and neck holds; head above neck and not forward; space at underarms; space between arms and torso; soft left arm; knees not locked; body balanced over pelvis, legs, and heels; leg base comfortably apart; shifting weight; vibrant body connected with the earth