It’s hard to quantify which microphone is better, but the NTG5 certainly offers better value for money. I was actually quite shocked at how much smaller and lighter it was than the NTG3. The NTG5 is super lighter too, so it’s much easier to handle on boom pole/pistol grip. So how does the NTG5 perform and sound? The fact that RØDE gives you all of these accessories as standard is impressive. » Output Impedance: 25 Ω Rentals Blog Location and Hours Tel: (403) 234-9935. The mic was an instant winner. The NTG5 features an all-new design that RØDE claims produces a natural, uncolored sound. #mc_embed_signup{background:#fff; clear:left; font:14px Helvetica,Arial,sans-serif; } The polymer pistol grip features dual Rycote Lyre mounts to provide isolation from any handling vibrations and comes with RØDE’s PG2-R Pro Cable that snakes through the pistol grip and attaches to the back of the NTG5. Given the NTG5 is supposed to be RØDE’s new flagship shotgun microphone, how does it compare against the older and more expensive NTG3? According to RØDE, this is the result of many months of specialized acoustic testing that began during the development of the TF5 microphone with engineer Tony Faulkner. Rode's new NTG5 makes pro-quality location recording more affordable than ever. Even the XLR connection at the bottom of the mic feels more solid than that of the NTG3. The mic features a new capsule design with a perforated vent as well as RF-bias technology, which make the microphone “moisture resistant,” showcased in our concert recorders observations above. This is good because if you are using it with cameras or recording equipment that don’t have very good pre-amps you don’t have to have the input levels very high to get a good signal level. It weighs only 76g, that’s almost half the weight of NTG3. The NTG5’s depart from the traditional linear slots found on most shotguns by employing circular ports in their aluminum chassis. The metal housing and internal design gives it high resistance to wet conditions, high humidity, severe cold and dust. load) Highly Recommended! Matthew is available to hire as a DP in Japan or for work anywhere else in the world. This reduced weight and size make the NTG5 a god option as an onboard shotgun microphone on digital cinema cameras or even mid to large-sized mirrorless cameras. In 2016 he won the Award for Best Cinematography at the 21st Asian Television Awards. They were recording at the same 0db level on my camera. » Frequency Range: 20 Hz – 20 kHz » Power Requirements: 2 mA @ 48V phantom power » Acoustic Principle: RF-bias condenser For a limited time only! What is even more impressive is that it comes with a ton of accessories, which if you had to buy for some of the competition, would start to add up. The NTG5, at least in my opinion feels like a step up in terms of build quality if you compare it to previous RØDE shotgun microphones. It is well built, comes with a ton of accessories, and the size and weight of the NTG5 make it suitable for a range of applications. When the NTG5 came out, Rode took everything good about the NTG3 and made it significantly smaller and lighter, with a flatter response, more sensitivity, and at a lower price. It seems that RØDE has really paid a lot of attention to small details with the NTG5 and it shows with the build quality. Above you can see the pickup pattern and frequency response for the NTG3. It’s great to see RØDE pushing the envelop on the technology, value-proposition and price point for their new NTG5 shotgun microphone. Speaking of build quality, the included accessories are also very well made.   The size and weight reduction are also beneficial for concert recording. This redu… Works with a wide array of devices. I was impressed with the NTG5 and I think it will certainly give a lot more expensive professional-grade shotgun microphones a run for their money. The Rode NTG5 is a short, ultra-light shotgun mic excels in even the most demanding recording situations. Lee esta reseña en español » Sensitivity: -23.5 dB re. For comparison here are some other broadcast grade shotgun microphones: RØDE has come a long way over the last 10 years and the NTG5 is a welcome addition to their microphone line up. It feels secure and didn’t create any problems for our evaluators over the course of our long-term test. RØDE NTG5 Review Plugging in your cable is firm with a tight grip and a positive snap. 1 Volt/Pascal or Better (66 mV @ 94 dB SPL @ 1 kHz) 10th July 2020 #5. The RØDE NTG5 is a short shotgun microphone from the Australian microphone Manufacture RØDE. RØDE claims this acoustic design provides “a more natural, uncolored sound.” While there are many factors that determine a microphone’s openness and air, our field recording specialist did note the NTG5 felt “expansive, yet detailed” in his wildlife recordings, which support RØDE’s profile. https://www.newsshooter.com/2020/01/16/rode-videomic-ntg-review Tel: (403) 234-9935 | Toll-Free: 1-888-539-9397. Well here is the answer. Our reviewers all mentioned the NTG5’s build quality, which most felt is “a high-water mark for the [Australian] company.” Indeed, RØDE’s manufacturing abilities have matured over the course of their history and the NTG5 demonstrates that they are able to exceed more expensive options in the RØDE portfolio, namely the NTG3. She praised the NTG5 over the NTG3 for sounding “less boomy” in her loft and its “accuracy in vocal reproduction,” as well as it’s “low self-noise.” However, she warned that “you have to pay attention and really follow your talent if they’re moving because the vocal frequencies tend to fall off suddenly and get muffled if the mic goes 20° off-axis.” She found the rear rejection of the polar pattern worked “best outdoors, if you close mic your subject” but “it could be troublesome in a non-treated studio” where “certain frequencies have a tendency to poke into your recording.” She also noted the lightweight, smaller size and arsenal of accessories that come with the NTG5’s. RF-Bias is a must for a broadcast-grade microphone that is only found in the NTG3, making it much more robust in extreme environments and more resistant to interference. When the NTG5 came out, Rode took everything good about the NTG3 and made it significantly smaller and lighter, with a flatter response, more sensitivity, and at a lower price. I was a bit worried there for a while that they were just going after the YouTube crowd by releasing countless budget options. I personally think that the NTG5 offers extremely good value for money. In the same test you can also listen to a comparison between the NTG2, NTG3, and NTG5. In my personal opinion, the NTG3 and NTG5 both sound good, and I don’t think you could go wrong with either microphone. The main difference between the NTG3 and NTG5 5 is the frequency response. The NTG5 features some noteworthy advances in the crowded shotgun market, which merits attention and praise. The weather called for simply cloudy skies, but a squall came in, which sent the tapers scrambling to ditch their rigs, including myself. Over time, the connection either becomes loose, or stops working. The Rode NTG5 is a short, ultra-light shotgun mic excels in even the most demanding recording situations. As a shotgun microphone, it has a supercardioid polar pattern for directional pick up and as you can see from the frequency response chart, it is very flat in the midsection with a slight bump in the high frequencies, tailored for the vocal response. In our next application test, we gave a documentary filmmaker the NTG5 to test in her studio and on location. | A Media-Star Destination. “Funny enough, I ended up encountering really poor recording conditions, including rain and gusty wind when testing the NTG5’s at an amphitheater in addition to my regular rig (Sound Devices MixPre-10, custom 15′ stand, matched Neumann KMR 81 i MT’s —Ed.). Get yours today before this special ends! At only 203mm long and 72 grams, it is 52mm shorter and 91 grams lighter than the NTG3. Records a "safety channel" at a lower level.   What it boils down to is, in the 8 years or so since RØDE released the NTG3, their manufacturing capabilities/efficiencies have improved significantly, allowing them to make the NTG5 more cost-effectivity. 1. Matthew has won 41 ACS Awards, including four prestigious Golden Tripods. The NTG5 is very competitively priced given the competition it is up against. Foremost, RØDE delivers a technically advanced product with quality sound reproduction and plenty of accessories at a price point that almost anyone can afford. It is also quite a bit shorter and lighter, saving on material costs. Less weight also means that mics positioned on top of tall stands are less affected by extraneous factors, which can cause adverse sonic artifacts and quality issues. 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