Step-by-step lessons to master jazz theory, Learn the blues, jazz blues, funk, & gospel, Syllabuses to guide your learning journey, learn to play your favourite tunes & songs. The riffs and licks you learn from listening to recordings and going to live shows are building blocks. Bill Evans was a true innovator. Blues is about playing your own feelings, expressing your own life. Leave us your email below and we will send you a full sample lesson and a PDF download. We can incorporate the b7th to get some more interesting sounds and patterns. Let’s use the notes of the minor blues scale, the major blues scale and the extended blues scale to create different types of blues licks of riffs. All Rights Reserved. This website uses cookies to personalize content and to analyze our traffic. This lesson will inspire you to build your own vocabulary that you can use to improvise when playing the 12 bar blues. Chicago Blues Licks & Riffs. Sliding off the individual b3 and b5 is also an effective device to add some crunch and dissonance to our right hand licks. Download theory supplements, midi files, chord changes and full note-for-note transcriptions of every lesson. Our right hand is playing full triplets against the bass line where we omit the middle note of the triplet. We’re going to start of with simple single-note lick ideas, and then we will introduce other intervals into the licks like minor and major thirds. Welcome to this lesson on Chicago blues licks and riffs. Perhaps the most used and common lick in the Chicago Blues style is the hammered 8th note. This lesson will inspire you to build your own blues vocabulary that you can use to improvise and play your own way. This lick has an interesting rhythmic placement against the left hand. These licks can be used in a variety of styles of playing – blues, boogie woogie, jazz, rock, country, etc. Blues Piano Lick #1 Before trying to read this lick, make sure that you listen to the audio file (right below the lick) to hear how it should sound. Take a look at You consent to our use of cookies if you continue to use this website. Many blues licks involve a lot of rolling, where we play a series of notes in quick succession. This gives you vocabulary, like learning new words that you can then use to express your own ideas. This field is for validation purposes and should be left unchanged. Now let’s take our study of the blues scale further and use the notes of the minor blues scale, the major blues scale and the extended blues scale to create different types of blues licks of riffs. Perhaps the most used and common lick in the Chicago Blues style is the hammered 8th note. The 3rd and the 6th interval are very useful to create a bigger and fatter sound for any right hand lick. It is common to write swung eighth notes as “regular” eighth notes rather than triplets. Brilliant Blues Licks For The Piano by Jay Oliver - YouTube Learn piano blues: start today "I've been teaching the piano for more than 25 years and I truly believe that everyone can learn to play the blues, even if you've never touched a piano in your life! He revolutionised the sound of the jazz trio and influenced jazz pianists that came both before and after him. Let’s check ’em out! Download and print in PDF or MIDI free sheet music for blues licks by Lessons - Blues arranged by DIM for Piano (Solo) Hammered 8th notes. Steve demonstrates this concept with chromatic movement and how effectibve this can be over the 12 bar blues. Watch The Full 15 Minute Tutorial Sign In or Join Now, UK & Europe: +44 808 196 2012 US & Canada: +1 888 616 5371, © 2020 Copyright PianoGroove. Even though the lick and left-hand are written out as eighth notes, they are really played with a triplet feel. We’ll examine the right-hand riffs and licks that make the boogie-woogie style so infectious. As pianists, we’re always looking for fun, bluesy piano licks to add to our bag of tricks. Raynal, Maxime : B Comme Blues Piano solo / Beginner / 1 PDF / 1 MP3. We will also explore the blues and pentatonic scales. This imitates the slurring that is commonly heard in vocals. This lesson will inspire you to build your own vocabulary that you can use to improvise when playing the 12 bar blues. Join PianoGroove Pro to access all downloads and learning resources. We can play this lick with either the 5th and the root, or the b7th and the root also works well. In this article I’ll show you a couple great bluesy licks AND how to transpose them for use across a 12-bar blues form. These licks can be used in a variety of styles of playing – blues. All notation examples can be found in the sheet music download below. In the lesson on comping, we explored inner harmonic movement outlining the I and IV chords over static harmony. https://playbluespiano.com/wp-content/uploads/sites/31/2016/01/Blues_Piano_Lick_1.mp3, https://playbluespiano.com/wp-content/uploads/sites/31/2016/01/Blues_Piano_Lick_2.mp3, https://playbluespiano.com/wp-content/uploads/sites/31/2016/01/Blues_Piano_Lick_3.mp3, https://playbluespiano.com/wp-content/uploads/sites/31/2016/01/Blues_Piano_Lick_4.mp3. This basic concept can be used to create some groovy right hand licks. In this article I’ll show you a couple great bluesy licks AND how to transpose them for use across a 12-bar blues form. Blues is largely about improvisation and it’s essential to listen and learn from the masters. Welcome to this lesson on Chicago blues licks and riffs.