The SM81 works best with a phantom supply of 48 volts but can operate, with lower headroom, on as little as 11 volts. I do fear I sound awfully condescending by saying that, but I'm trying to give a perspective you may not have. The KM184's get alot of flack here but they're better than the Octava's or Peluso's for SDC duties. My thread from a week or two ago searching for the best studio monitors for $1,000 was a huge help in eventually making my decision on a pair of Adam A7s. I'm looking to add a pair of small diaphragm condensers to complement the Rode NT2-A that I just bought (and replace the pathetic C-1000s). This microphone only sells as a matched pair. As one might expect, the WA-47 comes with the highly inviting Warm Audio price tag, so there is no reason not to try it. The mic case usually has a pencil shape, and it’s “top-address” (primary sound pickup is on top). Audio-Technica AT5045. Unlike large diaphragm condenser mics, which almost everyone is at least somewhat familiar with … Small diaphragm condenser mics are virtually unheard-of among musicians who have never recorded or performed live before. I might get yelled at over this one but....... For drums and acoustic the Octava's are pretty cool. I did think it was very dicey to put the WA-47 on here. The Best Small Diaphragm Condenser Mics under $500. Am I being the cranky conspiracy theory guy, do these lists just seem weird and cobbled together? Send them back to AKG for repairs. Aimed at those looking for a one-stop solution for all condenser needs, the U195 is capable of seamlessly tackling any recording job with ease, without sacrificing quality and definitely worthy of Bock's reputation. I'm still in love with my Audio-Technica ATM450.....very tight pattern, superb realistic sound, great on most preamps. However… It never takes long for newbies to realize usefulness and versatility of these mics. It has like 3 of the "Big 5" on there. Ok, I have to be "that guy". This is an inexpensive solution for many home studio enthusiasts on a small budget. However… Just bought the CV-12 BLA !! If you measure the surface area of the diaphragm (length x width), this technically wouldn’t qualify as a small diaphragm, but we love the sound of it on acoustic guitar so much we had to include it. My mic locker is small right now. Hey there! Excellent mics and a pair is about $800. They're much much better than the Peluso CEMC6's. Budget favourite Warm Audio wraps up our list with the WA-47, the brand’s take on the - you guessed it - the legendary U47. Rode M5. We quickly learn what works and sounds good on a wide range of applications and we learn quickly what mics don't fail when we plug them in. The MXL 770 Cardioid Condenser Microphone is one of the best microphones you'll find for recording acoustic guitars if you're on a budget. In this post I will list some of the best budget “matched pair or stereo pair” small diaphragm condenser microphones out there which will allow you to record music at a top-notch level without spending too much. Great neutral mics. The ones mentioned in this list will be sufficient for that. i'd definately take the atm450's and save some cash for something else, i have some vintage 451's with ck1's i've had 4051's and a few other sdc's and the 450's stand up no problem, they're very true and honest much like the 4051's... great mics. One of these things just doesn't belong! The WA-47 is inspired by two “benchmark” U47 examples with subtle sound differences, and Warm Audio’s approach was to capture the common essence that made the 47 one of the most iconic tube condenser mics ever produced - and they put it all together with 21st-century components and manufacturing technology. I now turn to you again, Gearslutz, to help me with my next microphone purchase. Church ? Oktavamod MK-012: really as good as a KM84. I second the old 451's. These lists are getting weird. I use them all the time. When Neumann themselves label a mic as “high-end” we are bound to take it seriously - if your bank account allows it there isn't much to argue against here. The New Sony C100 is a fantastic mic? Rode M5. TM47 ? Then, when you’re finished reading, we’ve provided audio samples so you can hear them all on two acoustic guitars. If you want to mic your hi-hat individual, you can use a good small diaphragm condenser microphone to get the job done. The mics that were selected are of the highest quality and have proven extremely reliable. As of late, Sony, the Japanese electronics behemoth known for its immense range of consumer AV products, hasn’t been associated much with pro audio or with studio recording microphones in general, yet their C-800G is arguably one of the most successful condenser mics of all time. Best of all, it does so without the often insanely high and mostly prohibitive price tags usually associated with mics of this calibre. INCLUDING musical instruments that I own. What about Hi Hats? It goes without saying that this level of quality does not come cheap so have your gold card at the ready, but it is certainly an easier path to sonic nirvana than chasing down vintage units and having to deal with all their associated maintenance burdens. Maximum SPL is 136 dB with the 10-dB pad engaged, self noise is 16 dBA, and S/N is 78 dB. We can all think of our favorite mics that aren't on this list, but I'd use anyone of these with great enthusiasm.