"width": 1280, How To Adjust Threshold and Ratio of Compressor for Vocals? The compressors tight and fast response makes it a perfect tool for crushing groups and buses or injecting subtle fatness to everything from guitars to vocals. Optical compressors such as the LA-2A have attack and release times that are particularly well suited for compressing vocals. To achieve subtle, natural sounding compression on your vocal it’s best to use multiple compressors throughout the mixing process (this is called ‘serial compression’). There are so many different types of compressors out there, it can be a challenge choosing the right one. Each company models their plug-ins off of the units that they have available to them, and when dealing with 50-year-old pieces of equipment there will certainly be major differences between them. "height": 545 As the audio signal is passed through the compressor, part of it goes through the cell which allows it to attenuate the volume of the signal as it increases. Have you been stuck trying to finish the same set of songs for months or even years? This plug-in allows you to decide how much of your high-end you want rolled off. FabFilter Pro-C2 Compressor. Needless to say, vocal compression is necessary. Best Compressor VST Plugins for Vocals. This is considered to be a desirable trait if what you intend to do is add “warmth” into a digital vocal track. "Parallel Compression"), Good for a smoother, warmer, and fatter sound, Many engineers prefer the LA-2A's smoothing effect on vocals, Good for tighter, punchier, and sharper sound, Many engineers prefer the LA-3A's for vocals that need a lot of compression. I'm Reagan, and I've been writing, recording, and mixing music since 2011, and got a degree in audio engineering in 2019. If you're making a typical pop or EDM song, you're not going to want the vocal performance marred and squashed by a compressor. An opto compressor will likely squash most of the track since it will not have the time to reduce the compression and time for the next word to come out. Universal Audio LA-2A Built to the same specs as the early-’60s Teletronix LA-2A Leveling Amplifier, the Universal Audio LA-2A remains one of the most-used vocal compressors in the world. I always leave it off, but if I ever wanted to get an authentic throwback sound, I might leave it on. The Waves CLA 2A is my go to plug-in for vocal compression, though almost all of the LA-2A plugins out there are great. How To Make Your Mix Louder Without Clipping Or Distorting, Muddy Bass: How To Fix A Muddy Bass Sound, How To Easily Use Compression Like A Pro Producer, How To Build A Home Studio For Under $350, How To Create A Synthwave Bass In Less Than A Minute, How to Sell Your Music Through Email In 9 Easy Steps. I am a Cubase user, and I know that it comes with “vintage compressor” which is a nice-sounding 1176 plugin. "url": "https://thelittleredlight.com/wp-content/uploads/2018/09/compressor-plugins-for-vocals.jpg", The login page will open in a new tab. If you’re mixing a fast vocal, you are probably best off reaching for a plug-in based on an FET compressor. Please log in again. Softube Tube-Tech CL-1B Compressor. This is a plug-in that I most often use on bass, but if I ever needed a compressor to thicken up a vocal in a retro fashion and I didn’t feel like fighting with EQ, I would definitely give this plugin a shot. For a more aggressive sound, use an FET compressor. Use the fast attack and release of a FET to tame the peaks and transients of a vocal, and then follow that up with an optical compressor to smooth out the sound and maybe add some warmth and color. This post is going to start off by talking about the importance of compression on vocals, then get into the different types of compressors that there are, and finally, the best plugins for vocal compression. A FET like the Black 76 to tame the peaks of a vocal performance and add some excitement, and then the White 2A to smooth out the overall performs so it fits well in your mix. Best Optical Compressor Plug-Ins For Vocals Your DAW may already have an optical-modeled compressor, for example, the one in Logic Pro X looks like this: However, if you're looking for something a little higher quality, the LA-2A and LA-3A are two of the most famous compressors of all time, and are great for vocals. I also have a background in Digital Marketing and Entrepreneurship and am striving help fellow musicians and producers improve their art and make a living doing the work they love. Your DAW may already have an optical-modeled compressor, for example, the one in Logic Pro X looks like this: However, if you're looking for something a little higher quality, the LA-2A and LA-3A are two of the most famous compressors of all time, and are great for vocals. Sources such as drums and other types of caution are rarely well suited for this compressor. Waves, IK Multimedia, and others have modeled these compressors in the form of plug-ins. The tube-based circuitry colors the sound more than a solid-state. Softube FET Compressor. In an optical compressor, the audio signal is turned into light. The unmistakable attack and release as well as the color that is provided by some compressors have become desired effects in and of themselves. They're both optical compressors, so they are very similar; however, the main difference between the LA-2A and the LA-3A is that the LA-2A is the technology used to compress the audio signal. Orpheus Audio Academy is owned by Rammdustries LLC, a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.