With that in mind, Greg searches for the ideal vocal chain to match Bryce’s voice with his vision of the track, nailing the tone now to ensure that anything sang in the scratch recording can be used in the final vocal. In this free extract from Start to Finish: Greg Wells - Episode 3 - Setting Up The Vocal Chain from PureMix, Greg walks us through his preferred settings on his preferred compressor for vocals.. 1176 On Vocals. Push-Button Magic. Ideal Attack time setting – The ideal attack time for standard vocal formats is 10ms to 100ms. After recording and editing the piano for "Lucky Number," Greg continues building the track by having Bryce sing the vocal down to establish the heart of the song. Trusted content from independent music and post production experts. If you use hard knee in vocals, you can hear the annoying effect of compressor clamp down on a vocal when it hits the threshold. Using a Limiter Lead vocals in pop and mainstream music are the centre point of the mix. The 1176 Classic Limiter Collection for UAD hardware and UA Audio Interfaces captures three revisions of the legendary hardware used by everyone from Led Zeppelin to Michael Jackson. After recording and editing the piano for "Lucky Number," Greg continues building the track by having Bryce sing the vocal down to establish the heart of the song. In this free extract from Start to Finish: Greg Wells - Episode 3 - Setting Up The Vocal Chain from PureMix, Greg walks us through his preferred settings on his preferred compressor for vocals.. 1176 On Vocals. Waves Renaissance Vocals – This plugin just has one control and it’s AWESOME. Also, it has a cool sound. Greg says he usually prefers the same attack and release settings he’s using for this session instead. The settings from this video will be waiting for you in the presets menu. It's truly a one-stop-shop for present, stable and lively vocals! Featuring FET (field-effect transistor) circuitry, it’s extremely fast and can be super aggressive. 1176 Settings On Vocals | Greg Wells . 1176 is much more versatile. In this free extract from Start to Finish: Greg Wells - Episode 3 - Setting Up The Vocal Chain from PureMix, Greg walks us through his preferred settings on his preferred compressor for vocals. An LA2A has no settings. perfect for vocals and bass. Opto compressors, such as the Universal Audio LA-2A, are popular for treating vocals, drums, and bass guitars in pop and rock music, where a larger than life sound is desired. We also saved the 1176 preset as "Greg Wells Vocals" preset under the Recall menu. Does a microphone shootout between Sunset Sound's beautiful vintage Neumann U-47, Telefunken 251, and AKG C12 Microphones. Then there is also the Bones Howe setting "The signal ran through a UREI 1176 compressor/limiter set with what Howe swears are the best parameter settings that can be configured on it for vocals: threshold/attack at 6, release at 7, and a 12:1 compression ratio." The slowest setting is at 7 o’clock and the fastest at 5 o’clock. Talks about recording the vocals for Mika’s hit "Grace Kelly" with Joe Chiccarelli, Breaks down his settings for tracking vocals with an 1176 and an LA-3A. On this compressor, the Attack and Release knobs work backward from normal. This tutorial will teach you everything you need to know about the attack, release and ratio settings. Sign up to get advanced audio tutorials where Grammy-winning engineers teach you mixing concepts by showing you their techniques and tricks while mixing song by Pharrell, Imagine Dragons, Ziggy Marley and more. Waves CLA2A – Any LA2A emulation is perfect for lighter tonal compression. Release Time of Compressor plugins for Vocals Fast Release Time – If you set up the release time very fast then you feel that the breathing and tail ends of vocal become more prominent and aggressive because fast release time increases the dynamics of low volume areas. Sounds great to me. This is an absolute staple for me when mixing things like vocals, drums, bass, and especially using parallel compression. If your compressor has independent control knob on Knee parameter, then you have to adjust it manually by listening to the vocal. Compression settings for lead vocals should be as natural sounding as possible.. Because humans are expert listeners, any small unnatural-sounding volume jump or dip will be noticeable and detract from the power of the melody and lyrics. 1176 at 4:1, to its most notable setting, the “All Buttons In” mode, where all the ratio buttons are depressed simultaneously. The 1176 Peak Limiter is a dynamic range compressor designed by Bill Putnam and introduced by UREI in 1967. Sort of a bite. The 1176 is a little bit tricky to fully grasp at first because of the backwards knob settings. As Greg stated in Episode 2, nothing is ever truly scratch. One of the 1176’s famous features are its push-button selectable ratios of 4:1 and 8:1 for compression, and 12:1 and 20:1 for limiting. It might be obvious to those already familiar with the UREI 1176, but for those not completely sure read below how to use it to get the best results, here is the video version with Greg explaining the settings and uses for vocals: What's even better, the 1176 at mixanalog is FREE for half an hour per day for everyone! Instead of fast to the left and slow to the right like most compressors, it’s the opposite. Could anyone just give me a short rundown on which comes first in the chain, the settings on the 1176 and how much GR I should shoot for on each unit. The examples (vocal, bass guitar, snare, bass drum) discuss compression and limiting setups as well as ways to use the 1176 as a color box without compressing. chavernac, Aug 20, 2012 #4. audiokid Chris Staff . Joined: You can use the 1176 settings as pictured above or use them as a starting point and dial in the exact amount of compression your vocal track will need. Conclusion. If you do need to process a stereo track - like a vocal stem track - split the track into a left and a right track or even better, into a mid and a side track, then compress each component individually. Slate VMR – I like to use the 1176 emulation included in this plugin for faster dynamic control when needed. We've come across this 1176 compressor #ProTip recently and it's just too good not to share it with you! This tutorial will teach you everything you need to know about the attack, release and ratio settings. Fair Use Update and Subscriptions Announcement, Rolanoid’s take on the Bettermaker Limiter, Don’t fear the analog - Interview with Will Getz, Reunion with sound tech startups in Sound Hub Denmark, Wiggle wiggle wiggle - The Story of a VU meter. Many engineers set the attack at 10 o’clock and the release at 2 o’clock. Sculpts the vocal tone with a vintage Pultec EQ and records Bryce’s vocal. I'd like to give the LA2A and 1176 in series a try on a lead vocal for an upcoming mix. Keep in mind that this is the only compressor on mix:analog that is mono and not stereo - so you will not be able to process a stereo track in one go. Share Reply Quote 5th March 2003 The slowest setting is at 7 o’clock and the fastest at 5 o’clock. Tweet . FET compressors are a great choice to help modern vocal styles really “pop” through dense arrangements. Well, here are compression settings and tips which I use to compress vocals. - Free pureMix Video Extract. Many engineers set the attack at 10 o’clock and the release at 2 o’clock. The Dr. Pepper setting is a good starting point as well. Continuing along here in the Mix 101 series, we’re going to be checking out how to use one of my favorite compressors, the 1176. If you would like to watch more free tutorials you can sign up for free at pureMix or browse the entire pureMix tutorial video library and choose the individual videos that appeal to you. The iconic Urei (now Universal Audio) 1176 … You can use the 1176 settings as pictured above or use them as a starting point and dial in the exact amount of compression your vocal track will need. Why hardware still sounds better than plugins. 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